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Well, here in the far future I finally got this more or less finished, if anyone cares. I hate myself for not being able to color things...good.

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I'd offer much better critique if you hadn't so obviously traced it.

The head has no perspective, nor does the anatomy make sense, and yet the body is absolutely flawless in perspective and anatomy. Moreover, the body is heavily shadowed whereas the head has no shadows at all. Stop tracing bodies and sticking heads on them and trying to pass them off as your own work.

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>>1099
I laughed so hard.

You're a dumbass.

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It's got a pretty uniform style that matches the rest of the drawing. Looks lionish- though it might just be a bit too small. If you disregard the mane, you can kind of see from his forehead and ears that his head isn't very big- I think the shoulders are actually a bit bigger than his skull. Maybe that's what you're seeing.

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The lower lip might be pushed too forward and the shading besides makes it look drawn too taut against the chin. It gives the impression he's doing a Skyler White, Yo face with his mouth where the rest of his face isn't matching that energy. As far as I can tell, Ajani's actual face is a stock-standard lion's which isn't really the pinnacle of expressiveness, so you might have to open the mouth to squeeze out an on-model smile.

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The tits man. They don't look real. They look like two balloons cause of the height of the nipples. Nips are supposed to be lower, and the shape of the boob is supposed to have like a tear shape, big & round at the bottom, and getting more narrow at the top.

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What exactly is that supposed to be (animal form)?

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>>1882
This is well done. I can't find any flaws with it.

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>>1819
the body is alright, seems like you used a reference--which is good. the head is a little off putting though, doesn't look "screwed on" right, so to speak. The penis also seems a bit stiff (no pun intended); it's facing the viewer while the rest of the body is angled slightly away, and the head is looking even further away

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>>1812

One thing that jumped out at me is that your lines vary in thickness depending on the detail. If there's more detail (like the feet) you use thin lines; if less (big curve of a belly) the lines are thick. Try challenging yourself in a couple of ways:

-Try using all uniform line thickness. This might make some areas look cluttered and other areas too sparse: how to solve that? Maybe find a way to imply details where you can't draw them all in. Maybe find a way to add details where it just looks too empty.

-Another challenge to try is using line-thickness to show light and shadow. Where the light hits the subject, using thinner lines makes it look brighter. Where there is shadow, thicker lines imply that.

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>>1813

Those are excellent suggestions. I think I can see what you're getting at. Thank you!

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I think the perspective looks great! Very dynamic, it really looks like he's popping out of the plane. I'm not suuuure that the placement on the fox flows too well, though? What issa fox doing back there? Is he pole dancing or?